The official blog of the Kala Ghoda Arts Festival

Sunday, February 15, 2009
Writing for a Better World

So here’s the thing about writing for a better world: it’s complicated.

The thing about championing a cause is that, it’s a little like love. Activists, much like lovers, seem to believe that because their love burns with such intensity inside of them, surely the incandescence of it must light up the world? But here’s the thing, it’s all inside you, and my friend, unless you get up on that water tank and declare it to the world, you’re unlikely to have an audience of more than a few surly, non-committal Jai’s (who, even as they believe in your cause, might not exactly be the best people to have on your side).

If you love so deeply, show us.

With a panel that consisted of writers, activists, writer-activists and journalists, the discussion was bound to be interesting. Ably moderated by Dilip D’Souza (in a spousally approved shirt which he very wisely changed into before taking the stage), panellists Bittu Sahgal, Rajni Bakshi, Darryl D’Monte and Joseph Campana spoke with passion and eloquence about the challenges and the difficulties of writing for a better world.

The discussion opened with Bittu Sahgal who read out two touching excerpts of writing by his favourite author Rachel Carson (thank you, Dilip). He spoke enthusiastically of his work of saving the tiger and how, sadly enough, his most receptive audiences consisted of children below the age of 13. The overall feeling one got after Mr. Sahgal’s allotted 3 minutes were up, was that he despaired of ever finding an attentive audience (and therefore a future keeper of the flame) among adults who, blinded by greed and avarice (a bit harsh, don’t you think, Mr. Sahgal?), just could not see that in saving the tigers, they were simply saving themselves.

Which brings me to the point that Darry D’Monte made about the world being full of ‘knowledge resistant’ people. Mr. D’Monte, with this I humbly beg to differ. We’re not knowledge resistant, if anything, we’re hungry to know more. The only problem is that perhaps we lack the wisdom to decide what it is we want to know more about. You could blame that on the information overload that as the internet-generation, we are bound to be subjected to, but this is where I gently place the blame – or a large part of it at least – on your able shoulders. The thing is, I’m an ardent supporter of the school of pedagogy which believes that the student is never (well, not quite never, but close enough) at fault. I’ve been blessed and cursed with teachers who have inspired and completely put me off the subjects they taught respectively. While I couldn’t really find a connector between the bad teachers (except maybe boredom), between the good ones, there was the common factor of passion. A deep and abiding love for the subjects they taught. Their enthusiasm was like a particularly infectious virus which you couldn’t help but catch.

We don’t not want to know, it’s just that with the reams of information we have access to, it’s difficult to know who the real McCoy is.

And I think this is where the similarity between lovers and activists ends. Lovers can make grand gestures; their passion (and their hormones to a certain extent), grant them the licence. Unfortunately, most activists I know are intensely private individuals and shouting from the rooftops seems absurd to them, almost beneath their dignity. I understand this behaviour, but as someone who is part of the big bad media machine, I can tell them that it won’t work. Too many causes have died for want of good marketing. Is that sad? Of course it is, tragic even, but for the thing you love, this much needs to be done. Our attention spans may be shorter, our intelligence eroded, but tell us about your love in a way that we can understand and we will love too.

A very valid point that came up in the course of the discussion was, why is it that so much activist literature (if it can be called that) makes for such poor reading? As panellist Darry D’monte rightly pointed out, it is because most activists are just that, activists. There is no clause in the activist’s 10 commandments that says, ‘Thou shalt also be a good communicator.’

So how does one solve this predicament? It seems a simple enough matter of bringing together causes and people who would like to champion them, but like most simple solutions, it is not easy. Panellist Joseph Campana had a partial solution; encourage students of writing to also study subjects that tell them about the world, its history and its stories. A writer with a cause he /she believes in is a better, a more coherent, a more believable writer. Panellist Rajni Bakshi also made a valid point when she said that as activists, as believers in a cause, it is also their lot to make their causes more appealing to the public. It might be a tad annoying to have to explain the iridescent beauty of the one you love, but that has long been the source of the world’s best stories, poems and plays. Would a “Thou art fairer than the evening air clad in the beauty of a thousand stars” have been as much a part of popular consciousness as it is now if Christopher Marlowe had thought, “Look, it’s very obvious that she’s beautiful, why do I need to make a song and dance about it?”

Activists’ selfless love for causes is noble and wonderful, but finding champions for them should be a part of that love. Mr. Bittu Sahgal, I’m looking at you.

Wednesday, February 11, 2009
Anyway a crow

Forgive me for indulging myself here … but last month’s FlyLite magazine (JetLite’s inflight publication) carried an article I wrote about the KGAF. I thought it might interest some of you. Here you are. (Some of this material has appeared before, in slightly different forms, in this space).

***

Why go to the Kala Ghoda Arts Festival, you ask? I’m sure everyone has their own special reasons. Mine include crows. My favourite birds, and in 2006 they were a prominent part of the Festival. Not just because they were in the trees above, but because there was an entire art exhibit about these chummy black creatures.

I mean, there were photographs, paintings, poems. And one painting of a splendid specimen had these enigmatic words on a sheet of paper appended below:

Crow always sit on wire, even in Himalayas. This time he sat on Banyan which one is sturdy and strong. Crow wants stableness, not ZULA.

Crow found place for meditation in cool atmosphere arch of Temple, which gives him stableness and strong foundation. He is not interested in Zula.

Crow is the only bird who cleans city by eating all types of waste food. After his strong efforts he wants STABLENESS, STRONGNESS and MEDITATION. Not flicker mind & ZULA.”

(Click here to read the whole post)

Saturday, January 26, 2008
What’s happening, and where?

We have an almost-final version of the programme up here. And here’s a map:

Kala Ghoda area map

[Click on the image for an enlarged version. 314kb.]

Saturday, January 5, 2008
Would you like to blog the festival this year?

We’re planning to expand the team a wee bit. Would you like to join in?

Qualifications:
1. You’re in Bombay during the festival (2nd-10th February) and, barring acts of god, will attend for at least a few days.
2. You can write well. You will need to bring the festival alive to those who are reading the blog.
3. You have some experience with WordPress, or at least Blogger.

How to apply: send us just one permalink to a post on your own blog that showcases your abilities as per point 2, above. Email this to editors at caferati dot com with the subject line I want to join the Kala Ghoda Gazette. If we like what we see, we’ll invite you to the blog. If we don’t, you won’t hear from us at all.

Note: in past years, thanks to either sponsorship or generous infusions from the Literature Festival, we have managed to pay our bloggers a modest stipend. This may not happen this year due to budget constraints.

Saturday, February 10, 2007
Once upon a time…

Once upon a time Maya decided to blog for the Kalaghoda festival. She said she’ll try to blog as much as possible like she did the year before. But Maya’s bosses and her work put the noose around her keyboard to drag it before she could write about Kalaghoda. Oh Sorry! Wrong chronology. They just dumped tons of work on her desk…top…to ensure that she could not go to the festival and then put the noose on her keyboard. What more the TriContinental film festival made sure its last two exciting days clashed with Maya’s first free weekend after ages, preventing her from going to the first two days KG as well. So defying all the bosses and all attractive film festivals of the world (well after 7 pm), Maya walks into Kalaghoda on Sunday at 9:25pm and decides to write about it the next day. But as usual, the devil (boss) wears Prada from Bandra and prevents her from writing. So here she is on a Saturday evening trying to finish her first piece for KG but not able to do so as she has to go to KG today for Caferati. With a mixture of wow and sigh, she gets up and decides to call it a day. “See you on the next post,” she says and lives unhappily ever after. Neighh…

Thursday, February 8, 2007
Pikchars!

Just a quick note to say that there are many more pictures in this blog’s photo pool (on Flickr). Do see.

And if you’d like to join the pool, just knock, and one of the admins will let you in. (But note, by joining, you’re giving us permission to post your pictures to this blog.)

Saturday, December 30, 2006
We’re back!

Hello.

This blog made its debut last year, as an experiment.

It worked well. (Unfortunately, a mishap at our ISP’s servers chewed up all the posts. Woe is us.*) Well enough for the Kala Ghoda Association to want to run it again this year.

We’re busy getting a team together, and working out the logistics, but come February 3rd, we’ll be in action, bringing you the very best of Bombay’s favourite arts festival.

See ya then!

* Update (29th January, 2007): Thanks to The Internet Archive’s Wayback Machine, I’ve managed to retrieve about 80 of the lost posts. Some comments were unavailable, alas. I will add those posts over the next few days. 80 posts, with formatting, links cleaned up, and all that, will take a little while, alas. And contrary to popular belief, I do have a life offline. Sort of. Kinda. Oh gedoudahere.

Update (3rd February, 2007): Whew. All done. And just before the Festival opens. Ahem. Yeeha.

Monday, February 6, 2006
A little bit of jazz

Retrieved via the Wayback Machine. Originally posted by Yazad Jal

Walked the heritage walk. Stood for Shantaram. Caught a bit of dance. Grabbed a bite of chaat and momos. Breathed the installation art. Peeked into the cinema. Skipped the theatre. My tired legs wanted to go home. A friend suggested jazz at Azad Maidan. My only condition was seating space. Luckily there was lots of that-jute sacking laid out on the ground. We made ourselves comfortable and waited for the Amit Heri group.

I like jazz, but can’t explain it in words. I lay down and let the waft over me. Looking at Orion’s faint belt up in the sky somehow made “The Elephant’s Walk” come through the bass guitar, drums and saxophone. The musicians conversed: smiling, nodding and gesturing. Enjoying the they created together.

The place was half full when we’d walked in. People trickled in. And it wasn’t just us middle-class snobs. We shared space with street children and daily wage labourers who’d walked in hearing the . The kids horsed around a bit. Overzealous security had to be restrained from behaving badly in an attempt to throw them out. Like me, I’m sure the kids found the different, but enjoyable. This is perhaps what I liked most during the weekend. The Kala Ghoda festival is not just for the swish set, but for all. The festival events are free and open to the public. Us middle class wallahs can afford to pay for the performances. Street kids and daily wage labourers cannot. And it was heartening to have them sitting at Azad Maidan listening to some nice jazz.


Comments

Comment by charukesi on February 6, 2006 @ 7:56 pm

Yazad, I know what you mean by the street kids being there - I saw the same faces on both days I ws there - and they were having such a blast, dancing and painting and generally enjoying themesleves . art for once is accessible and that to me is the success of the kgaf!

Comment by akshay on February 7, 2006 @ 8:34 am

I’m glad to here that the festival is accessible to everyone - especially street children. I saw them too yesterday at the Alms for Shanti.

Saturday, February 4, 2006
The idea of Kala Ghoda

Retrieved via the Wayback Machine. Originally posted by Yazad Jal

As a child, I often wondered where or what was the “Kala Ghoda”? Was it a prancing horse like that on a Ferrari? Or a wild animal escaping from a Husain canvas? Or a black beauty imported from England?

Alas, reality was a let down. During a visit to the zoo, my history teacher pointed out an old, ordinary looking statue of Prince Edward astride a horse. She said that it once stood imperiously over the Fort area and people called it the Kala Ghoda. After independence, we removed all statues that reminded us of British rule and dumped them in secluded corners of zoos.

But the statue doesn’t really matter. It’s the idea of Kala Ghoda that still hovers around a small corner in Fort, not just during these nine days every February, but throughout. The idea of a confluence of activities in an urban space. A place for art, business, education, shopping, a place to just hang out and admire the architecture. Apart from writing about the events and the atmosphere during the Kala Ghoda Arts Festival, I also hope to capture a bit of that idea of Kala Ghoda.

Saturday, February 4, 2006
This blog will die

Retrieved via the Wayback Machine. Originally posted by Peter Griffin

This blog starts out with its demise foretold. It will run for only for the nine days of the Times of India Kala Ghoda Arts Festival (that’s the 4th to the 12th February).

During that time, we plan to bring you a bhelpuri of blogposts. Previews and impressions, reviews and reports, text and photographs. If we can wangle it, maybe some podcasts and video too.

During that time, we hope to prove that there is power in collaboration, that citizen journalism is coming of age, that this experiment in giving creators and their audiences fresh, new alternatives is a damn good idea, and the foundation for other experiments of this kind, maybe even *gasp* a model for more of the same.

Bu hey, forget about all that. During that time, we basically plan to have a lot of fun.

We hope you do too.

Comments

Comment by Leela on February 4, 2006 @ 11:04 am

Looks great. Sounds great. Will be around. All the best.

Comment by satish on February 4, 2006 @ 1:37 pm

Can we have pics n video of the festival pls. should be cool..
cheers n all the best

regards
satish

Comment by nikita on February 4, 2006 @ 2:44 pm

this is brilliance!

we support citizen journalism all the way
and we shall live here , unto death

the best of all,team!

Comment by Shivam Vij on February 5, 2006 @ 9:42 pm

So heartening to see Zigzackly use WordPress, for one!

Comment by zigzackly on February 6, 2006 @ 2:42 am

Leela,
Thanks. See ya around.

Satish,
Plenty of pics. Video, we’re trying. Maybe audio.

Nikita,
‘Allo, brat. Glad you approve.

Shivam,
Credit where it’s due: it’s all Megha’s doing. I would have happily bumbled on with Blogger.

Comment by Jane Bhandari on February 7, 2006 @ 1:34 pm

Nice to be called effervescent!
The Poetry for Youth reading was actually the second step taken to present the possibility of having modern Indian poets (rather than English victorians) on the school syllabus - the first having been a seminar on Jan 23rd at Max Mueller Bhavan where we discussed how best to introduce poetry to young people in a way that would make them want to read more. Eventually we hope to have an anthology of poems by Indian writers, in fact, several anthologies, aimed at three or four age groups. The more I think about it the more passionate I get.
This has been such fun, I am looking forward to day 3, and eventually, to reading and judging the sms poems.

Flash Fiction, what a marvellous idea. writing a story in such a limited number of words is quite difficult unless you have had lots of practice in precis writing.